How Represented are Asian Americans in the U.S. Publishing Industry?
Recent monumental social events such as the Stop AAPI Hate movement and the latest Marvel blockbuster movie, Shang-Chi and the Legend of the Ten Rings,…
How Diversity in Casting Changes The Story of Waitress
Diverse casting in previous white roles can expand on stories and create more spaces for actors of colour in the industry. It’s important to open…
Horror & Corporatized Feminism, part 3
Simply Men Bob Clark’s 1974 horror masterpiece Black Christmas has been remade twice: once in 2006 by Glen Morgan and again in 2019 as a…
Adoptees Don’t Need to be Saved, Even In Hollywood Films
There are hundreds of books and films with plots focused on adoption, but it is easy to neglect the importance of focusing on the adoptee…
The Rise of Female Rage Fiction
In the last few years, the term “female rage fiction,” or “feminist rage fiction,” has been coined by bookstores, book clubs, and readers worldwide to…
The Relationship Between Dystopian Fiction and People of Colour
The unjust society written in young adult dystopian fiction can very much be our own world told through the wrong perspective – where are the…
Behind Blonde – The Exploitation and Trauma of Marylin Monroe
Andrew Dominik’s Blonde has been making controversial headlines since its initial announcement. Upon release, the internet has made an uproarious rejection of Hollywood’s poor reflection…
Horror & Corporatized Feminism, Part 2
Between Two Strodes Based on John Carpenter’s seminally foreboding 1978 original, David Gordon Green’s Halloween (2018) is a largely reactionary endeavor. The original film is…
Meet Aurora Hinz: Life as a Korean Transracial Adoptee
While many adoptees carry deep trauma connected to adoption, Aurora is grateful to have had a positive experience.
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