Horror & Corporatized Feminism, Part 2

Between Two Strodes Based on John Carpenter’s seminally foreboding 1978 original, David Gordon Green’s Halloween (2018) is a largely reactionary endeavor. The original film is…
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Horror & Corporatized Feminism, Part 1

There is a tendency in today’s feminism to sympathize with (and consequently amplify) corporate ideologies that are largely hostile to the feminist mission of equality.…
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