Horror & Corporatized Feminism, part 3
Simply Men Bob Clark’s 1974 horror masterpiece Black Christmas has been remade twice: once in 2006 by Glen Morgan and…
Horror & Corporatized Feminism, Part 2
Between Two Strodes Based on John Carpenter’s seminally foreboding 1978 original, David Gordon Green’s Halloween (2018) is a largely reactionary…
Horror & Corporatized Feminism, Part 1
There is a tendency in today’s feminism to sympathize with (and consequently amplify) corporate ideologies that are largely hostile to…
Are Mainstream Films Becoming More Conservative?
Those familiar with the history of filmmaking in the United States understand that the system is no stranger to censorship…
How Julia Ducournau’s “Titane” Addresses the LGBTQ+ Community
One of the more controversial Palme d’Or winners in recent history, Julia Ducournau’s Titane (2021) is a polarizing film that…
Bad Miracles: Jordan Peele’s Nope and the Duality of Spectacle
Jordan Peele’s Nope (2022) is a film that is fundamentally concerned with how spectacle erases cultural agency. It takes Peele’s…